Crafting

Quick and Easy Towel Angel Project

Wednesday, November 3rd, 2010

This is a fast and fun idea for a quick holiday gift.  I received one last year for Christmas from a very creative friend.  All you need to create this unique angel are two kitchen towels, a matching hot pad, a package of extra wide, double fold bias tape, a couple yards of ribbon and some trim of your choice.  Fabric scraps work well for the trim.  It will be stitched across the bottom of the towels.

Completed Towel Angel

1. Apply the trim to one towel.  Make accordion pleats the length of the towel at approx 1 ½”.  Steam iron the pleats in place.  Fold the towel in half and tie the middle about 2” below the fold to create the body of the angel.

2. Cut the second towel to the approx size of a washcloth (Just measure one you have at home).  Hem all sides and add matching trim to the top edge.  Accordion pleat at about 1 ¼” intervals and steam iron in place.  Fold in half and place on top of the angel body and tie in place.  This creates the head and arms of your angel.

3. Accordion pleat the hot pad and tie to the back of the angel with ribbon.  Your angel is now complete!  Keep it to adorn your house for the holidays or make someone happy by sharing your creativity with them.

Ann
Sew Fun Consultant


Simple Twisted Braid Ornament

Friday, October 22nd, 2010

Come to November Sew Fun and see how uncomplicated it is to create this stunning ornament!  It is made simply from a Styrofoam ball, twisted cord, glue and a little ribbon for embellishment. This idea for an easy Christmas ornament was shared with me by an Everett Sew Fun member, Sharon.

Decorate with these simple yet sophisticated ornaments

The braid lengths supply list:
For a 2 inch Styrofoam ball use ..1 yard & 24 inches braid

For a 2 1/2 inch ball   use………..2 1/2 yards  braid

For a 3 inch ball  use ……………..4 yards braid

Note before starting: ALWAYS TAPE THE ENDS OF THE BRAID !!!!!

I poke a skewer or pencil all the way through the center of the ball so I know where to start & finish the braid. Make a loop to hang the ornament and tie a knot at the end. Use hot glue gun to make a hole at the top. Squeeze a little hot glue in and place knot in hole. Place taped end of the braid in hole and use more hot glue & the heat from the glue to force  the braid into the top of the Styrofoam ball.

Now wrap the braid around the ball hot gluing about an inch at a time until you get the feel of it keeping the rows of braid close to each other. When you get to the bottom, make a hole in the ball bottom for the taped end of the braid . Place a tassel in the bottom hole, either a matching or a contrasting color. You can also add a pretty bow on top to dress it up.

Ann
Sew Fun Consultant


Easy Pillow Slipcovers and Fabric Wall Hangings

Thursday, April 8th, 2010

When I was at Sew Expo, I found some super fun Echino fabric by Etsuko Furuya, at the Pacific Fabric & Crafts booth. Japanese fabric always so inspiring for me. Last year I put some Echino fabric on my Amy Butler’s Birdie Swing Bag. I LOVE it when a vibrant fabric inspires me to get into my “sewing room”.

I took my fun new fabrics and made new slipcovers for my tired throw pillows in my family room. It was so fun and easy and I love the way the great graphics contrast my dark brown sofa. It makes the whole room feel fresh and new. Download these free step by step instructions for pillowcase slipcovers from Bernina here.

I also took one of the large scene fabrics and spread it over an artist canvas, making it into a quick wall hanging for my daughter’s room. This was very easy to do. I bought an inexpensive wood framed canvas at a local art supply store and used my husbands staple tacker to get a more heavy duty professional staple. (An office stapler can work too but you are more likely to have to pull staples out and re-staple to get them to lie flat.) Then I measured my fabric, making sure that I left plenty of extra on the edges to wrap around canvas side and making sure that the scene I wanted would be positioned correctly. I ironed my fabric and then lined it up on the canvas. Then I pulled the fabric over the edges to the back side and stapled the fabric to the wood frame, making sure the fabric was pulled taut and even as I stapled. Voila, my daughter has a new wall hanging for her room. Easy, fun and sew satisfying.

-Carmen


Egg Cozy Cups Dress Up a Special Brunch

Tuesday, April 6th, 2010

It feels like Spring has finally arrived, and none too soon! We still have a way to go before it completely warms up here in the Puget Sound, but in the meantime here is a ‘cozy’ Easter project that is quick, easy and egg-stra special to make. (Sorry, could not resist.)

Materials Needed:

  • Scraps of fabric, 7″x4″
  • Fusible Interfacing, medium to heavy weight
  • 1/4″ elastic, 2.5″ long
  • Vintage button
  • Trim, if wanted



Process:

  1. Cut scraps of fabric into 7 inch by 4 inch rectangles.
  2. Fuse fusible interfacing onto fabric following manufacturer’s instructions. This project is great for using up old, boardy interfacing, or interfacing scraps, as you want enough structure to support the egg. The example in the photo utilizes two layers of tailoring weight interfacing. If you are using home decorator or similar fabrics, you may be able to omit interfacing.
  3. Cut trim to fit one long edge, minus 1/2 inch (6.5″), if using trim.
  4. Pin trim, aligning raw edges, along one long edge, leaving 1/4 space on either end.
  5. Fold the 1/4″ elastic in half and pin 1/4 of the way down one short edge, aligning raw edges.
  6. Fold the rectangle in half, right sides together. The trim and the elastic should be inside, pointed away from the raw edges.
  7. Stitch across the short end holding the elastic, and then across the long edge. This should create a tube with one open end.
  8. Carefully trim the corners and turn the tube right side out. Gently square corners and press.
  9. Turn under the raw edges of the open end, and press. Edgestitch end closed.
  10. Check for fit around your favorite egg to determine button placement.
  11. Stitch button in place and enjoy!

This is a great way to use up all sorts of scraps of trim, fabrics, buttons and interfacings. Consider beading, embroidering or other embellishments.

Have fun!

Katrina


Furoshiki: Make a Summer Bag for Every Outfit

Thursday, May 28th, 2009

furoshiki bag mainHave you ever wished that you could change your handbag as easily as you change clothing? If so, this idea is for you.

During my recent trip to Japan I learned this trick for utilizing furoshiki. Furoshiki are traditional Japanese wrapping cloths. They are used for everything from an impromptu shopping bag to giftwrap. The introduction of inexpensive paper and plastic bags nearly brought the use of furoshiki to extinction, but they are experiencing a resurgence in popularity due to their “green” nature – the perfect recyclable gift wrap! There are even instructional sites on how to wrap with furoshiki.

Furoshiki can come in any possible size but for this bag I would recommend at least a 20″ square. Small squares look best on dainty handles, and vice versa. For this ‘handbag” you will no doubt want to vary the size depending on the day’s activities. Of course you don’t need to have an ‘official’ furoshiki. You can use a scarf, or a simple hemmed piece of fabric. That’s why this is the perfect summer bag – made in seconds with any fabric you can tie!

What you will need:
1 set of round purse handles, available at Pacific Fabrics
1 square/rectangle of fabric

The scarf shown in the photo is 34″ x 34″. The faux bamboo handles are bulky, so they look best with a larger piece of fabric. The size and ‘look’ can be varied by the size of the knot tied. Click on any image to see a larger photo.

furioshiki bag step 1Step 1: Fold the rectangle in half





furoshiki bag step 2Step 2: Pull the corners through the ring, from the “front” to the “back”





furoshiki bag step 3Step 3: Bring the corners around to the “front”






furioshiki bag step 4Step 4: Tie! Adjust the knot size to adjust the bag size. Make sure that the opening is large enough to put your hand into. Repeat for the other side.





furoshiki bag finalWasn’t that easy? Now I think I need a variety of round handles for various occasions. I think a simple polished ring with a lovely silk scarf would make a beautiful and unique evening bag, don’t you?

Enjoy!

Katrina





Ideas: Sewing for Your Sweetheart

Wednesday, February 11th, 2009

SQS Blog Sewing for Your SweetheartHandmade coffee cozy from web ‘how to’ by Sharon Neth

Look out – Valentine’s Day is nearly here! It’s not too late to whip up something special for your favorite sweeties.

This time of year nothing warms the heart (and hands!) like a nice, hot cup of comfort. Whether your special ones are a coffee, tea or cocoa person, a handmade cozy to slip over their hot cup is a simple but sweet way to say “I love you”.

Thankfully, the Internet being the vast place that it is, someone has already posted instructions for making a fabric coffee holder. There is a pattern you can trace, and ideas for using recycled wool scraps. Pacific Fabrics has so many cute cotton prints available. I like the idea of using a heavy interfacing like Timtex as the base for the holder – you could simply cover it with your fabric of choice, and lap the edges for your holder. Flannel would make an especially soft and warm ‘cozy’.

If you have an embroidery machine, Anita Goodesign has a special Valentines ‘In The Hoop’ design pack. There is a door wreath/centerpiece, a wall hanging and a gift card holder – all stitched and assembled right in the hoop! Other great stitched Valentine-themed embroideries include cards and Accessories – perfect for a personalized gift.

Hugs and Stitches!

Katrina


Dyeing to Match – A Designer’s Challenge

Thursday, October 23rd, 2008

One of the more unusual and challenging aspects in my work as a designer is doing color work. You might think that the challenges consist mostly of deciding on a theme and coordinating colors together. Yes, that is definitely part of it, but the larger challenge for me is doing custom dye work.

Color is a huge part of the textile and apparel industry. There are several companies, such as Munsell and Pantone, whose sole role is to provide standardized colors. In the chart of paper you see on my work table, is a list of 10 colors for Spring 2009. Written next to each color in the forecast is the Pantone number. Because I was unsure of the quality of my printout (and for very good reason), I had to order ‘chips’ of the exact color from Pantone in order to ensure that I was looking at the correct color.

Not only are colors standardized, but there are also several services that design firms subscribe to to forecast color. While textile and apparel companies constantly work to streamline their production processes, it is still not unusual for the process to take over a year from concept to sales floor. So in order to have the ‘right’ color at the right time, they must rely on forecasters to give them an idea of what the consumers are likely to be drawn to in the next few years.

So you are wondering what this has to do with me? Well, at present I am working on potentially my 4th magazine article. (My second article is available now on newsstands in CraftStylish’s current “Gifts to Make” issue.) When making the photo samples for an article, contrary to what you might think, I have to work with the palette for that season. I confirm with my editor what the colors will be. Sometimes I have a choice from the range of colors, and sometimes I am requested to focus on a specific color. In my “Beaded and Pleated” article for Gifts to Make, I was requested to work with ‘Bermuda Blue’. Not quite turquoise, not quite cobalt…definitely a challenge! It’s not always easy to find the exact color I am looking for in a fabric store (thank Goodness for Pacific Fabrics – right around the corner!), so I keep bolts of undyed silk on hand and dye to match.

In the photo you can see my work in progress. You can’t tell what color the dye pots are because the colors, although light, are very saturated. The little strips are pieces of bias habotai silk (which thankfully I can buy by the 70 yard roll), similar in character to the silk I will be dyeing in order to determine whether I have reached the color I am aiming for or if I need to keep mixing. So far I have three of the colors mixed. I use instant-set dyes so luckily I don’t have to steam or otherwise set my dyes. Mixing them is enough of a challenge!

There is much, much more to tell about the world of color in the textile and apparel industry. If you are interested in learning more, let me know!

Katrina


Designer Embroidered Jeans in 4D Part 2: Choosing a Design

Wednesday, July 2nd, 2008

Now comes the fun part – choosing the design!

I purchased my first embroidery machine 10 years ago, and as a result, I likely own more embroidery designs than I will ever stitch out in my lifetime! And I am very certain that I will continue to collect designs that capture my interest.

That being said, I think we are living in a golden age of machine embroidery, especially with more and more designers/design companies producing what I think of as ‘modular designs’. That is, design collections that contain multiple design components that are made to be combined into larger overall designs. These are just perfect for incorporating into a pair of designer jeans!

For example, here is a vest made from a former pair of jeans that I embroidered (this is the ‘Pant Leg Vest’ from the book Denim by Design). The designs are from ‘Bella Fiori’ by Jenny Haskins. I saw this design stitched out on a pair of jeans at a Sew Fun a year and a half ago. I liked it so much I bought the design, went home and created my own version. Now that the the jeans had worn out, they were recycled into another Sew Fun project. Talk about a life cycle!

But I digress. In 4D it is especially fun to combine designs, as the software will remove any overlap in embroidery designs. Plus you can use the Stitch Density tool and the Design Optimizer tools in the 4D Stitch Editor to help tame some of the denser designs.

So what should you consider when choosing a design?

First of all, consider density. Denim weights vary, but even the heaviest denim can tend to pucker around designs if the embroidery is dense. The denser the design, the more stabilizer is required. Consider what type and thickness of stabilizer you are willing to live with on the inside of your jeans.


Here is an example of a very dense design on denim.

These are a pair of my jeans embroidered with the ‘Roses for Mary’ design by Jenny Haskins. I love this design; I think the roses are incredible (and I am very, very fond of roses!). However these designs are very dense – sometimes I jokingly call these my ‘Tin Man’ or ‘bulletproof’ jeans! They are very stiff. I found that using Wet and Stick stabilizer did a good job, but I still had a fair amount of puckering around the design due to the sheer volume of thread being pushed into the fabric (the yarns in the denim fabric get displaced by the embroidery threads thus causing distortion). But I still love them. I just wish I’d used some No Show Fusible Mesh or similar afterward to make the back side a little softer against the skin. The stiffness of the jeans leg combined with the thread and stabilizer makes for a less comfortable jean.

Here are some important things to consider when choosing a design for your designer embroidered jeans:

1. How do I envision my design? A design collection that already has elements that are made to be interchangeable makes creating big designs much easier.

2. What is the scale of my embroidery design? If you need to size up or down more than 20% in order to create the scale you envision, you should probably reconsider using it. Also consider the scale of your body. I am tall, so large, bold designs are in proportion to my larger scaled body, and it is not unusual for me to increase the size of a design. If I were petite, I could still use the same designs, but I would likely decrease the size proportionately. Some of the Anita Goodesign fashion collections (for example) feature the same motifs in different sizes.

3. How dense are the designs? As I mentioned above, the density of the designs affects the amount and density of stabilizer required for a clean, smooth stitchout. In the vest at left, an old pair of jeans were cut up to make the ‘Shawl Collar Vest’ from the book Denim by Design. I had interfaced the denim with a medium weight fusible interfacing to give the denim more body. These designs – ‘Louise’ by Angie Spong – are of average to light density so they did not require much more in the way of stabilizer to stitch out without fabric distortion.

For my new pair of jeans, I’ve decided I’m going to use designs from the ‘Fashion Roses’ design collection by Anita Goodesign. As I said, I’m very partial to roses! They are my other obsession – apart from textiles and fiber arts! Stay tuned next week for the next installment – Design layout!

Have a safe and wonderful 4th of July holiday!

Katrina


Bundle Up Your Sewing Projects

Wednesday, June 11th, 2008


Bundled projects waiting patiently

No, I’m not talking about the weather, although I must say that its mildly frustrating to be still wearing sweaters when it’s nearly the middle of June!

Bundling is adapted from the garment industry. In factory terms, it traditionally refers to the practice of processing bundles of related garment components (such as shirt fronts with prepared pockets) to specialized workers who perform each task.

While we don’t normally need to use industrial techniques to do home sewing, we can still borrow a few tricks to streamline our own production process. One of these is to utilize a version of bundling by preparing multiple garments for construction at once.

Most of us have a part of the sewing process we don’t enjoy as much as the others. For me, it would have to be cutting and marking. Partly this is from sentiment – for me, an uncut piece of fabric is an entire world of possibilities. With each circuit of the rotary cutter those possibilities become more limited. But also, it takes a lot of space, intense concentration (I’m often cutting it close on yardage – literally) and attention to detail.

So I bundle – I cut several projects at once. When I’m ‘in the groove’, so to speak, I try to stay in it. Each garment is cut and packaged up in a large resealable bag (Top Foods has Jumbo bags – 2 Gallon size – that work really well) along with its pattern, interfacing, notions, etc. I may not get to them right away (we won’t talk about the ‘bundle backlog’) but when I’m ready to tackle the project I know that they are waiting for me, ready to go!

Katrina