Posts Tagged ‘silk’

Embellishing Delicate Pashminas with Success

Friday, October 15th, 2010

Embellished Pashminas

In September Sew Fun we featured embellished Pashmina scarves.  In November Sew Fun you will see more samples of embellished Pashminas. There have been questions about how to care for your Pashmina and what the fiber content is.  First off, what is Pashmina?

Pashmina refers to a type of fine cashmere wool and the textiles made from it.  The name comes from Pashmineh, made from Persian wool.  This wool comes from the pashmina goat, which is a special breed of goat indigenous to high altitudes of the Himalayas.  Pashmina shawls are hand spun, woven and embroidered in Kashmir and made from fine cashmere fiber.  Pashmina shawls have been manufactured in Nepal and Kashmir for thousands of years.

The pashmina goat sheds its winter coat every spring.  One goat sheds approximately 3-6 ounces of fiber.  To meet the demand, the goats are now commercially reared in the Gobi Desert in Inner and Outer Mongolia.  This region has identical harsh weather conditions to those of the Himalayan region to grow this inner wool, but also has acres of grazing ground to produce cashmere economically and commercially.  During spring (the molting season) the goats shed this inner wool, which re grows in winter.  The inner wool is collected and spun to produce beautiful shawls.

How do you care for your Pashmina while embellishing with embroidery?  When choosing an embroidery design for embellishing, a lighter digitized design works well.  Choose a water soluble stabilizer and embroider your design.  Cut the excess stabilizer around the perimeter of the design to get rid of as much stabilizer as possible.  Don’t tear the excess stabilizer away, as the Pashmina isn’t strong enough to allow for this.

Once you have removed the excess stabilizer, immerse the Pashmina in a basin of warm water and soak in a phosphate free detergent for hand washables.  I wash all my scarves in this and it works great.  Once the stabilizer is removed, rinse and gently wring out excess water and put in the dryer on a medium heat cycle.  Promptly remove from dryer and press with a cool iron, using a press cloth to protect from the direct heat of the iron.  It’s as easy as that!

Pashminas make fantastic gifts for the fashion forward crowd to use as a shawl or fashion scarf. Now that the airlines charge for blankets, many women use them on the airplane in place of the customary blanket.  Great versatility!

Ann
Sew Fun Consultant


Working With Silk Dupioni

Wednesday, April 15th, 2009

It seems like silk dupioni is nearly everywhere these days. Which is a very good thing – not only is it beautiful, but it’s also relatively easy to work with. If you haven’t tried working with this lovely fabric yet, let me share some tips that might make your sewing experience more enjoyable.

Silk dupioni is created by weaving a fabric with fine silk yarns in the warp direction, and slubby, thicker silk yarns in the crosswise direction. The slubby yarns are created when two silkworms spin their cocoons side by side. Silk shantung is very similar to dupioni; the difference being that shantung is generally finer woven than dupioni.

Dupioni Fabric Care: When choosing a silk dupioni fabric, not all are created equal. Some fabrics are woven more tightly, or with finer yarns than another. The dyes used to color the fabric may also vary. This must be taken into consideration when choosing how to care for your dupioni fabrics. The finer woven, more expensive silks often hand or machine wash much more successfully with less change in appearance than a lesser quality fabric. Bear in mind that washing any silk not only creates an opportunity for color loss (washfastness varies quite a bit depending on the dyes used), but also change the hand of the fabric. In the table runners above, the fabric was relatively tightly woven and the fabric was actually machine washed and dried prior to construction. It lost some of its ‘body’ becoming softer in hand and slightly in color, but was still acceptable. Having prewashed the fabric, I know I can continue to wash it without concern. But there have been instances where I have handwashed a dupioni fabric and regretted it. Always test first if you think you will want to wash the item. Otherwise, dry cleaning is a much safer alternative.

Project Selection: Dupioni lends itself well to home decoration projects or garments that are structured or tailored. It does not usually drape well; this may change slightly after washing but do not expect it to ever be a ‘fluid’ fabric. If using for quilting, use a wider seam allowance. 1/4″ seam allowance is not sufficient for dupioni; it frays easily in the crosswise grain direction and therefore needs wider seam allowances to prevent seam ‘slippage’. For garments, avoid trimming too close to the seam and consider using seam finishes that add strength and stability, such as flat-felled or French seams.

Tools: As with all silks, dupioni can cause tools to dull. It is important to use sharp shears or rotary cutting blades. I have silk fibers permanently imbedded into a cutting mat from using a dull rotary blade. Likewise, use very fine silk pins for pinning. Microtex (or Sharps) sewing machine needles are strongly recommended, and you may need to change the needle before finishing if you are doing a very large project. If you start to hear a ‘popping’ sound when the needle strikes, it is dull and needs to be changed. Use a smooth, high quality thread; polyester, mercerized cotton (smoother and stronger than regular cotton thread) or silk can all be used. Standard stitch lengths are generally acceptable. If you have any puckering (unlikely), keep the fabric taut while sewing.

Silk dupioni truly is a joy to work with when you understand its unique characteristics. Pacific Fabrics has a great selection – give it a try!

Katrina


Dyeing to Match – A Designer’s Challenge

Thursday, October 23rd, 2008

One of the more unusual and challenging aspects in my work as a designer is doing color work. You might think that the challenges consist mostly of deciding on a theme and coordinating colors together. Yes, that is definitely part of it, but the larger challenge for me is doing custom dye work.

Color is a huge part of the textile and apparel industry. There are several companies, such as Munsell and Pantone, whose sole role is to provide standardized colors. In the chart of paper you see on my work table, is a list of 10 colors for Spring 2009. Written next to each color in the forecast is the Pantone number. Because I was unsure of the quality of my printout (and for very good reason), I had to order ‘chips’ of the exact color from Pantone in order to ensure that I was looking at the correct color.

Not only are colors standardized, but there are also several services that design firms subscribe to to forecast color. While textile and apparel companies constantly work to streamline their production processes, it is still not unusual for the process to take over a year from concept to sales floor. So in order to have the ‘right’ color at the right time, they must rely on forecasters to give them an idea of what the consumers are likely to be drawn to in the next few years.

So you are wondering what this has to do with me? Well, at present I am working on potentially my 4th magazine article. (My second article is available now on newsstands in CraftStylish’s current “Gifts to Make” issue.) When making the photo samples for an article, contrary to what you might think, I have to work with the palette for that season. I confirm with my editor what the colors will be. Sometimes I have a choice from the range of colors, and sometimes I am requested to focus on a specific color. In my “Beaded and Pleated” article for Gifts to Make, I was requested to work with ‘Bermuda Blue’. Not quite turquoise, not quite cobalt…definitely a challenge! It’s not always easy to find the exact color I am looking for in a fabric store (thank Goodness for Pacific Fabrics – right around the corner!), so I keep bolts of undyed silk on hand and dye to match.

In the photo you can see my work in progress. You can’t tell what color the dye pots are because the colors, although light, are very saturated. The little strips are pieces of bias habotai silk (which thankfully I can buy by the 70 yard roll), similar in character to the silk I will be dyeing in order to determine whether I have reached the color I am aiming for or if I need to keep mixing. So far I have three of the colors mixed. I use instant-set dyes so luckily I don’t have to steam or otherwise set my dyes. Mixing them is enough of a challenge!

There is much, much more to tell about the world of color in the textile and apparel industry. If you are interested in learning more, let me know!

Katrina